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Those artists were none other than director Guillermo del Toro and writer Neil Gaiman. Shortly after this initiative was announced, some high-profile artists apparently approached Marvel Studios with a concept for Doctor Strange that the company passed on.
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While old-school studios had struggled to nail down what a Doctor Strange movie could or even should look like, the hope here was that Marvel Studios would be able to turn the concept of this sorcerer being a movie star into a reality. Though Doctor Strange wasn’t being prioritized like Iron Man and The Hulk, the character was still being eyeballed as part of the studio’s slate of features it would make outside of the traditional Hollywood system. Only a year later, the prospect of what a Doctor Strange movie would look like changed drastically when Marvel Studios announced it would be making solo independent films. However, he also noted that it could happen down the road and that the studio was keeping its eyes open for potential screenwriters. The fluctuating nature of the project was reaffirmed by producer and Marvel Studios CEO Avi Arad in 2004, who observed that Doctor Strange was not a priority for the company at the moment. This new Doctor Strange movie was suddenly rudderless creatively. Goyer had varying degrees of involvement in this incarnation of Doctor Strange thanks to his connections to the Blade franchise, but he’d eventually drop out. Bouncing between these two studios reflected how both Miramax and Dimension Films were determined to make headway into the merry world of Marvel in this era, as seen by the studio also securing the film rights to Ghost Rider in this era. Sister company Miramax took over the property in 2001.
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Given that Doctor Strange had also been recently handled by other notable figures associated with the genre like Full Moon Entertainment and Wes Craven, it appeared that Hollywood’s solution to making Doctor Strange work was to intertwine him with the world of horror cinema.ĭimension Films wouldn’t be the cinematic home of Doctor Strange for long, though. Dimension Films was now the one in charge of Doctor Strange, an interesting development given their notoriety for handling horror properties like Scream. In the 21st-century, the renewed interest in movie adaptations of Marvel Comics properties spurred by X-Men led to studios trying their hand again at adapting Doctor Strange.
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This would also fizzle out without much hype, though, and five years later Variety casually mentioned Doctor Strange as a production that Columbia Pictures was actively developing with screenwriter Jeff Welsh. In 1992, news broke that Wes Craven was going to be tackling a Doctor Strange movie for Savoy Pictures, a short-lived distribution outfit best-known for releasing titles like Tales from the Hood domestically.
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This is where the company’s movie Doctor Mordrid came in, which repurposed the plans for the outfit’s Doctor Strange movie but with totally original characters that weren’t owned by Marvel.Įven with these two iterations of Doctor Strange going down in flames, the Sorcerer Supreme wasn’t out yet. Full Moon failed to make a feature before their film rights to the character expired. The man behind Full Moon Entertainment and franchises like Puppet Master, Band was a unique choice to shepherd a Doctor Strange film, though audiences never got to see the results of his plans for the character. With this version of the project on the back burner, a new player entered the field to produce Doctor Strange: Charles Band. That larger movie studio was in a spat with Marvel at the time and that pretty much assured that Cow and Lee’s vision for a Doctor Strange film was kaput. Regency Enterprises was keen to make Doctor Strange, but at the time, the company distributed its movies through Warner Bros. But not even Lee’s influence could get Doctor Strange made in this era, with the key problem preventing the film from existing coming down to movie studio squabbling.